A Selection of British Poetry
W. H. Auden
From Songs and other musical pieces.
XXX.
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now; put out every one:
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the woods:
For nothing now can ever come to any good.
XXXIV
Thought determined Nature can
Only offer human eyes
One alternative to sleep,
Opportunity to weep,
Who can refuse her?
Error does not end with youth
But increases in the man;
All truth, only truth,
Carries the ambiguous lies
Of the Accuser.
Thought some sudden fire of grace
Visit our mortality
Till a whole life tremble for
Swans upon a river or
Some passing stranger,
Hearts by envy are possessed
From the moment that they praise;
To rejoice, to be blessed,
Places us immediately
In mortal danger
Though we cannot follow how
Evil miracles are done
through the medium of a kiss,
Aphrodite's garden is
A hunted region;
For the very signs whereby
Lovers register their vow,
With a look, with a sigh,
Summon to their meetins One
Whose name is Legion.
We, my darling, for our sins
Suffer in each other's woe,
Read in injured eyes and hands
How we broke divine commands
And served the Devil.
Who is passionate enough
When the punishment begins?
O my love, O my love,
In the night of fire and snow
Save me from evil.
August 1968
The Ogre does what ogres can,
Deeds quite impossible for Man,
But one prize is beyond his reach,
The Ogre cannot master Speech:
About a subjugated plain,
Among its desperate and slain,
The Ogre stalks with hands on hips,
While drivel gushes from his lips.
Epitaph on a Tyrant
Perfection, of a kind, was what he was after
And the poetry he invented was easy to understand;
He knew human folly like the back of his hand,
And was greatly interested in armies and fleets;
When he laughed, respectable senators burst with laughter,
And when he cried the little children died in the streets.
Petition
Sir, no man's enemy, forgiving all
But will his negative inversion, be prodigal:
Send to us power and light, a sovereign touch
Curing the intolerable neural itch,
The exhaustion of weaning, the liar's quinsy,
And the distortions of ingrown virginity.
Prohibit sharply the rehearsed response
And gradually correct the coward's stance;
Cover in time with beams those in retreat
That, spooted, they turn though the reverse were great;
Publish each healer that in city lives
Or country houses at the end of drives;
Harrow the house of the dead; look shining at
New styles of architecture, a change of heart.
September 1, 1939
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade;
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
Find what huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
"I
will
be true to the wife,
I'll concentrate more on my work,"
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the deaf,
Who can speak for the dumb?
Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
The Labyrinth
Anthropos apteros for days
Walked whistling round and round the Maze,
Relying happily upon
His temperament for getting on.
The hundredth time he sighted, though,
A bush he left an hour ago,
He halted where four alleys crossed,
And recognised that he was lost.
"Where am I? Metaphisics says
No question can be asked unless
It has an answer, so I can
Assume this maze has got a plan.
If theologians are correct,
A Plan implies an Architect:
A God-built maze would be, I'm sure,
The Universe in miniature.
Are data from the world of Sense,
In that case, valid evidence?
What in the universe I know
Can give directions how to go?
All Mathematics would suggest
A steady straight line as the best,
But left and right alternately
Is consonant with History.
Aesthetics, though, belives all Art
Intends to gratify the Heart:
Rejecting disciplines like these,
Must I, then, go which way I please?
Such reasoning is only true
If we accept the classic view,
Which we have no right to assert,
According to the Introvert.
His absolute pre-supposition
Is - Man creates his own condition:
This maze was not divinely built,
But is secreted by my guilt.
The centre that I caaannot find
Is known to my Unconscious Mind;
I have no reason to despair
Because I am already there.
My problem is how not to will;
They move most quickly who stand still;
I'm only lost until I see
I'm lost because I want to be.
If this should fail, perhaps I should,
As certain educators would,
Content myself with the conclusion;
In theory there is no solution.
All statements about what I feel,
Like I-am-lost, are quite unreal:
My knowledge ends where it began;
A hedge is taller than a man."
Anthropos apteros, perplexed
To know which turning to take next,
Looked up and wished he were the bird
To whom such doubts must seem absurd.
Kairos and Logos
I
Around them boomed the rhetoric of time,
The smells and furniture of the known world
Where conscience worshipped an aesthetic order
And what was unsuccessful was condemned;
And, at the centre of its vast self-love,
The emperor and his pleasures, dreading death.
In lovely verse that military order,
Transferring its obsession onto time,
Besieged the body and cuckolded love;
Puzzling the boys of an atheletic world,
These only feared another kind of Death
To which the time-obsessed are all condemned.
Night and the rivers sang a chthonic love,
Destroyer of cities and the daylight order,
But seemed to them weak arguments for death;
The apple tree that cannot measure time
Might taste the apple yet not be condemned;
They, to enjoy it, must renounce the world.
Friendly to what the sensual call death,
Placing their lives below the dogs who love
Their fallen masters and are not condemned,
They came to life within a dying order;
Outside the sunshine of its civil world
The savage waited their appointed time.
Its brilliant self-assertions were condemned
To interst the forest and draw death
On aqueducts and learning; yet the world,
Through them, had witnessed, when predestined love
Fell like a daring meteor into time,
The condescension of eternal order.
So, sown in little clumps about the world,
The fair, the faithful and the uncondemned
Broke out spontaneously all over time,
Setting against the random facts of death
A ground and possibility of order,
Against defeat the certainty of love.
And never, like its own, condemned the world
Or hated time, but sang until their death:
"O Thou who lovest, set its love in order."
II
Quite suddenly her dream became a word:
There stood the unicorn, declaring - "Child";
She kissed her dolls good-bye and one by one
Embraced the faithful roses in the garden,
Waved for the last time to her mother's home,
And tiptoed out into the silent forest.
And seemed the lucky, the predestined one
For whom the stones made way without a word;
And sparrows fought to make her feel at home,
And winds restrained their storms before the child;
And all the children of that mother-forest
Were told to let her treat it as her garden.
Till she forgot that she was not at home
Where she was loved, of course, by everyone,
Could always tell the rose-bush - "Be a forest."
Or make dolls guess when she had thought a word,
Or play at being Mother in the garden
And have importance as her only child.
So, scampering like a sparrow through the forest,
She piled up stones, pretending they were Home,
Called the wild roses that she picked "My Garden,"
Made any wind she chose the Naughty One,
Talked to herself as to a doll, a child
Whose mother-magic knew the Magic Word.
And took the earth for granted as her garden:
Till the day came the children of the forest
Ceased to regard or treat her as a child;
The roses frowned at her untidy home,
The sparrows laughed when she misspelt a word,
Winds cried:"A mother should behave like one."
Frightened and cruel like a guilty child,
She shouted all the roses from her garden,
And threw stones at the winds: without a word
The unicorn slipped off into the forest
Like an offended doll, and one by one
The sparrows flew back to her mother's home.
Of course the forest overran her garden,
Yet, though, like everyone, she lost her home,
The Word still nursed Its motherhood, Its child.
III
If one could name the father of these things,
They would not happen to decide one's fate:
He woke one morning and the verbal truth
He went to bed with was no longer there;
The years of reading fell away; his eyes
Beheld the weights and contours of the earth.
One must be passive to conceive the truth:
The bright and brutal surfaces of things
Awaited the decision of his eyes,
These pretty girls, to be embraced by fate
And mother all the objects of the earth;
The fatherhood of knowledge stood out there.
One notices, if one will trust one's eyes,
The shadow cast by language upon truth:
He saw his role as father to an earth
Whose speechless, separate, and ambiguous things
Married at his decision; he was there
To show a lucid passion for their fate.
One has good reason to award the earth
The dog-like dumb devotion of the eyes;
Death, love, dishonour are predicted there,
Her arbitrary moments are the truth;
No, he was not the father of his fate;
The power of decision lay with things.
To know, one must decide what is not there,
Where sickness is, and nothing: all that earth
Presented was a challenge to his fate
To father dreams of talking oaks, of eyes
In walls, catastrophes, sins, poems, things
Whose possibilities excluded truth.
What one expects is not, of course, one's fate:
When he had finished looking at them, there
Were helpless images instead of things
That had looked so decided; instead of earth
His fatherless creation; instead of truth
The luckiest convention of his eyes:
That saw himself there with an exile's eyes
Missing his Father, a thing of earth
On whose decision hung the fate of truth.
IV
Castle and crown are faded clean away,
The fountain sinks into a level silence;
What kingdom can be reached by the occasions
That climb the broken ladders of our lives?
We are imprisoned in unbounded spaces,
Defined by an indefinite confusion.
We should have wept before these occasions,
We should have given what is snatched away;
O columns, acrobats of cheering spaces,
O songs that were the royal wives of silence,
Now you are art and part of our confusion;
We are at loggerheads with our own lives.
The order of the macrocosmic spaces,
The outward calm of their remote occasions,
Has lost all interest in our confusion;
Our inner regimen has given way;
The subatomic gulfs confront our lives
With the cold stare of their eternal silence.
Where are the kings who routed all confusion,
The bearded gods who shepherded the spaces,
The merchants who poured gold into our lives?
Where the historic routes, the great occasions?
Laurel and language wither into silence;
The nymphs and oracles have fled away.
And cold and absence echo on our lives:
"We are your conscience of your own confusion
That made a stricken widow of the silence
And weeping orphans of the unarmed spaces,
That laid time waste behind you, stole away
The birthright of innumerable occasions."
O blessing of reproach. O proof that silence
And condemnation presuppose our lives:
We are not lost but only run away,
The authors and the powers of confusion;
We are the promise of unborn occasions;
Our presence is required by all the spaces.
The flora of our lives could guide occasions
Without confusion on their frisking way
Through all the silences and all the spaces.
As We Like It.
Certainly our city with its byres of poverty down to
The river's edge, its cathedral, its engines, its dogs;
Here is the cosmopolitan cooking
And the light alloys and the glass.
Built by the conscience-stricken, the weapon-making,
By us. Wild rumours woo and terrify the crowd,
Woo us. Betrayers thunder at, blackmail
Us. But where now are They.
Who without reproaches showed us what our vanity
has chosen,
Who pursued understanding with patience like a sex,
had unlearnt
Our hatred and towaards the really better
World had turned their face?
Who knows? The peaked and violent faces are exalted,
The feverish prejudiced lives do not care, and lost
Their voice in the flutter of bunting, the glittering
Brass of our great retreat,
And the malice of death. For the wicked card is dealt and
The sinister tall-hatted botanist stoops at the spring
With his insignificant phial and looses
The plague on the ignorant town.
Under their shadows the pitiful subalterns are sleeping;
The moon is usual; the necessary lovers touch;
The river is alone and the trampled flower;
And through years of absolute cold
The planets rush towards Lyra in a lion's charge. Can
Hate so securely bind? Are they dead here? Yes.
And the wish to wound has the power. And tomorrow
Comes. It's a world. It's a way.
We're Late.
Clocks cannot tell our time of day
For what event to pray
Because we have no time, because
We have no time until
We know what time we fill,
Why time is other than time was.
Nor can our question satisfy
The answer in the statue's eye:
Only the living ask whose brow
May wear the Roman laurel now;
The dead say only how.
What happens to the living when we die?
Death is not understood by Death; nor You, nor I.
Atlantis.
Being set on the idea
Of getting to Atlantis,
You have discovered of course
Only the Ship of Fools is
Making the voyage this year,
As gales of abnormal force
Are predicted, and that you
Must therefore be ready to
Behave absurdly enough
To pass for one of The Boys,
At least appearing to love
Hard liquor, horseplay and noise.
Should storms, as may well happen,
Drive you to anchor a week
In some old harbour-city
Of Ionia, then speak
With her witty sholars, men
Who have proved there cannot be
Such a place as Atlantis:
Learn their logic, but notice
How its subtlety betrays
Their enormous simple grief;
Thus they shall teach you the ways
To doubt that you may believe.
If, later, you run aground
Among the headlands of Thrace,
Where with torches all night long
A naked barbaric race
Leaps frenziedly to the sound
Of conch and dissonant gong:
On that stony savage shore
Strip off your clothes and dance, for
Unless you are capable
Of forgetting completely
About Atlantis, you will
Never finish your journey.
Again, should you come to gay
Carthage or Corinth, take part
In their endless gaiety;
And if in some bar a tart,
As she strokes your hair, should say
"This is Atlantis, dearie,"
Listen with attentiveness
To her life-story: unless
You become acquainted now
With each refuge that tries to
Counterfeit Atlantis, how
Will you recognise the true?
Assuming you beach at last
Near Atlantis, and begin
That terrible trek inland
Through squalid woods and frozen
Thundras where all are soon lost;
If, forsaken then, you stand,
Dismissal everywhere,
Stone and now, silence and air,
O remember the great dead
And honour the fate you are,
Travelling and tormented,
Dialectic and bizarre.
Stagger onward rejoicing;
And even then if, perhaps
Having actually got
To the last col, you collapse
With all Atlantis shining
Below you yet you cannot
Descend, you should still be proud
Even to have been allowed
Just to peep at Atlantis
In a poetic vision:
Give thanks and lie down in peace,
Having seen your salvation.
All the little household gods
Have started crying, but say
Good-bye now, and put to sea.
Farewell, my dear, farewell: may
Hermes, master of the roads,
And the four dwarf Kabiri,
Protect and serve you always;
And may the Ancient of Days
Provide for all you must do
His invisible guidance,
Lifting up, dear, upon you
The light of His countenance.
Are You There?
Each lover has some theory of his own
About the difference between the ache
Of being with his love, and being alone:
Why what, when dreaming, is dear flesh and bone
That really stirs the senses, when awake,
Appears a simulacrum of his own.
Narcissus disbelieves in the unknown;
He cannot join his image in the lake
So long as he assumes he is alone.
The child, the waterfall, the fire, the stone,
Are always up to mischief, though, and take
The universe for granted as their own.
The elderly, like Proust, are always prone
To think of love as a subjective fake;
The more they love, the more they feel alone.
Whatever view we hold, it must be shown
Why every lover has a wish to make
Some kind of otherness his own:
Perhaps, in fact, we never are alone.
Another Time.
For us like any other fugitive,
Like the numberless flowers that cannot number
And all the beasts that need not remember,
It is today in which we live.
So many try to say Not Now,
So many have forgotten how
To say I Am, and would be
Lost, if they could, in history.
Bowing, for instance, with such old-world grace
To a proper flag in a proper place,
Muttering like ancients as they stump upstairs
Of Mine and His or Ours and Theirs.
Just as if time were what they used to will
When it was gifted with possession still,
Just as if they were wrong
In no more wishing to belong.
No wonder then so many die of grief,
So many are so lonely as they die;
No one has yet believed or liked a lie,
Another time has other lives to live.
Aero sub Lege.
The Hidden Law does not deny
Our laws of probability,
But takes the atom and the star
And human beings as they are,
And answers nothing when we lie.
It is the only reason why
No government can codify,
And verbal definitions mar
The Hidden Law.
Its utter patience will not try
To stop us if we want to die;
If we escape it in a car,
If we forget It in a bar,
These are the ways we're punished by
The Hidden Law.
Canzone.
When shall we learn, what should be clear as day,
We cannot choose what we are free to love?
Although the mouse we banished yesterday
Is an enraged rhinoceros today,
Our value is more treatened than we know:
Shabby objections to our present day
Go snooping round its outskirts; night and day
Faces, orations, battles, bait our will
As questionable forms and noises will;
Whole phyla of resentments every day
Give status to the wild men of the world
Who rule the absent-minded and this world.
We are created from and with the world
To suffer with and from it day by day:
Whether we meet in a majestic world
Of solid measurements or a dream world
Of swans and gold, we are required to love
All homeless objects that require a world.
Our claim to own our bodies and our world
Is our catastrophe. What can we know
But panic and caprice until we know
Our dreadful appetite demands a world
Whose order, origin, and purpose will
Be fluent satisfaction of our will?
Drift, Autumn, drift; fall, colours, where you will:
Bald melancholia minces through the world.
Regret, cold oceans, the lymphatic will
Caught in reflection on the right to will:
While violent dogs excite their dying day
To bacchic fury; snarl, though, as they will,
Their teeth are not a triumph for the will
But utter hesitation. What we love
Ourselves for is our power not to love,
To shrink to nothing or explode at will,
To ruin and remember that we know
What ruins and hyaenas cannot know.
If in this dark now I less often know
That spiral staircase where the haunted will
Hunts for its stolen luggage, who should know
Better than you, beloved, how I know
What gives security to any world.
Or in whose mirror I begin to know
The chaos of the heart as merchants know
Their coins and cities, genius its own day?
For through our lively traffic all the day,
In my own person I am forced to know
How much must be forgotten out of love,
How much must be forgiven, even love.
Dear flesh, dear mind, dear spirit, O dear love,
In the depths of myself blind monsters know
Your presence and are angry, dreading Love
That asks its image for more than love;
The hot rampageous horses of my will,
Catching the scent of Heaven, whinny: Love
Gives no excuse to evil done for love,
Neither in you, nor me, nor armies, nor the world
Of words and wheels, nor any other world.
Dear fellow-creature, praise our God of Love
That we are so admonished, that no day
Of conscious trial be a wasted day.
Or else we make a scarecrow of the day,
Loose ends and jumble of our common world,
And stuff and nonsense of our own free will;
Or else our changing flesh may never know
There must be sorrow if there can be love.
The Riddle
Underneath the leaves of life,
Green on the prodigious tree,
In a trance of grief
Stand the fallen man and wife:
Far away the single stag
Banished to a lonely crag
Gazes placid out to sea,
And from thickets round about
Breeding animals look in
On Duality,
And the birds fly in and out
Of the world of man.
Down in order from the ridge,
Bayonets glittering in the sun,
Soldiers who will judge
Wind towards the little bridge:
Even politicians speak
Truths of value to the weak,
Necessary acts are done
By the ill and the unjust;
But the Judgment and the Smile,
Though these two-in-one
See creation as they must,
None shall reconcile.
Bordering our middle earth
Kingdoms of the Short and Tall,
Rivals for our faith,
Stir up envy from our birth:
So the giant who storms the sky
In an angry wish to die
Wakes the hero in us all,
While the tiny with their power
To divide and hide and flee,
When our fortunes fall
Tempt to a belief in our
Immortality.
Lovers running each to each
Feel such timid dreams catch fire
Blazing as they touch,
Learn what love alone can teach:
Happy on a tousled bed
Praise Blake's acumen who said:
"One thing only we require
Of each other; we must see
In another's lineaments
Gratified desire";
This is our humanity;
Nothing else contents.
Nowhere else could I have known
Than, beloved, in your eyes
What we have to learn,
That we love ourselves alone:
All our terrors burned away
We can learn at last to say:
"All our knowledge comes to this,
That existence is enough,
That in savage solitude
Or the play of love
Every living creature is
Woman, Man, and Child."
Last modified: Sun Oct 15 01:13:37 1995 : sorsha@daimi.aau.dk