Here are the Placement/ Camera Angle files per scene (placed here 27/05/99):
Scott and Susan sdela@ahk.nl
Soren Birk Jacobsen kurgan@ns-media.dk
Carsten Lind caligraphics@get2net.dk
Thomas Albech thomas@albech.dk
Peter Skaarup piparum@daimi.au.dk
Scott's Mobile: +44 797 741 20 60 (call me and I will call you back)
Susan's Mobile: 2837 4330
University Contact Information for Scott and Susan:
office phone (general): +45 8942 1814
office phone (direct): +45 8942 5122
office fax: +45 8942 1828
send post to:
Department of Dramaturgy
University of Aarhus
Langelandsgade 139
DK 8000 Aarhus C.
Denmark
Soren Birk Jacobsen
(h) 6614 7967
(w) 6312 6842
Carsten Lind
(h) 3526 7072
(w) 4442 7087
Thomas Albech
(mob) 2040 1203
(w) 5470 7110
(fax) 5470 0310
Peter Skaarup
(w) 8942 5652
(h) 2183 4693
Available 24x7 is the 02 in the Lille Sal -- perga -- and the address is pc32229.hum.au.dk
Update ! -- there is some chance this address will not work for you -- you might need the DNS. Let me know.
In the other space, but still in the theatre and available to us are an 02 (knossos -- pc32231.hum.au.dk) and an Octane (aphrodite -- pc32230.hum.au.dk), but these may also be used during the day and into evening by some students for working on their animations.
This form is a screen grab of what Thomas made, with the colors removed. The proportions are changed -- the legs and arms are a little shorter, the area in between comes down lower. Susan would also like to see these changes and the form with objects (such as suggested by the elegant additions here) added to indicate feet and hands.
| SUNDAY | MONDAY | TUESDAY | WEDNESDAY | THURSDAY | FRIDAY | SATURDAY |
|
2 |
3 Today we find out Claude Aebersold from LEGO/ Switzerland who was meant to join us for the entire month as the MAYA animator is unable to come due to illness Arrangements are with Thomas Albech, Carsten Lind and Soren Birk Jacobsen, expert MAYA animators based in Denmark, to work on the project as a team. |
4 |
5 |
6 First meeting in Odense at Soren's with Thomas/ Carsten and Soren |
7 |
8 |
|
9 |
10 |
11 Carsten Leaves Noon |
12 Thomas at office/ somewhat busy with meetings |
13 Thomas at office/ somewhat busy with meetings Soren will visit Aarhus today/ Thomas may join Susan will finish first draft of the Storyboard |
14 |
15 |
|
16 |
17 Carsten Returns Scott working on solving what sort of players we can use Soren has sent cleaned up movement files with form attached Some revising of first scene/ second scene storyboard on hold for a day |
18 Thomas out of the office at 15.00 First MPEG of board 1/ screen 2 arrived this morning from Soren |
19 Based on what she has seen in this MPEG, Susan begins working out the whole thing -- using some of the boards she has already made, but rearranging their order, etc. |
20 Soren working on the corresponding board to the one he has done, which will give us one complete set of images (4 videos) to look at projected in the space Susan finishing details and drawings for entire piece Thomas is working on looping the walk from ks.grab |
21 Susan to visit Odense couple of hours to go over the entire piece with Soren for feedback |
22 Susan and Scott spend the day finishing up and putting online the entire storyboard for the piece Would be good if everyone from this day on is able to set aside all available time to work with Soren |
|
23 It is great to see rough MPEGs of things when they are completed -- but it depends on how much this slows up the process. |
24 Scott and Susan meet with Carsten and Thomas in Copenhagen. |
25 |
26 Decision to go with normal VHS made |
27 Scott to Odense to pick up videos |
28 [original] ANIMATION PRODUCTION DEADLINE |
29 Soren is away over weekend Susan and Scott away in Amsterdam until Monday, 31st, in the evening |
|
30 |
31 Susan and Scott return this evening |
1 JUNE Final versions arrive at theater by mid-day ??? Possible open Showing of piece at 4 pm this afternoon |
2 |
3 Technical and Dress Rehearsals |
4 Performances: 2, 4 and 6 pm |
5 Performances (and tomorrow 6 June): 2, 4 and 6 pm |
Peter Skaarup has scanned in Sue's selected images. You can see all of them here http://www.daimi.au.dk/~piparum/scott.picts/. But the key ones are below -- please email Peter if you have any problems.
Here is the numbering system for the key colors (RGB and reference numbers) and here is the original file:
| No. 1 r-230 g-62 b-21 |
No. 2 r-78 g-125 b-13 |
No. 3 r-15 g-79 b-179 |
No. 4 r-203 g-26 b-52 |
No. 5 r-209 g-31 b-5 |
No. 6 r-255 g-240 b-22 |
No. 7 r-4 g-2 b-5 |
No. 8 r-70 g-9 b-24 |
No. 9 r-46 g-99 b-57 |
No. 10 r-12 g-21 b-100 |
No. 11 r-255 g-219 b-210 |
No. 12 r-58 g-65 b-31 |
No. 13 r-71 g-71 b-157 |
No. 14 r-250 g-95 b-28 |
No. 15 r-255 g-240 b-23 |
